Explain what Roman Catholics Essays

Clarify what Roman Catholics Essays Clarify what Roman Catholics Essay Clarify what Roman Catholics Essay Clarify what Roman Catholics and different Christians accept about sexual connections outside of marriage just as inside marriage. Utilize book of scriptures entries and Christian educating and practice to help your answer.All Christian places of worship encourage that sex has a place in marriage. The correct setting of a sexual relationship is marriage and it was what God proposed us to do, in this way making it significant. God expected everybody to get hitched, have intercourse and have kids. So God made human beingshe made them male and female, favored them and stated, have numerous kids, with the goal that your descendents will live over all the earth. (Beginning 1:27-28)Sex outside of marriage isn't allowed in the Catholic Church for some reasons. One of these is that it won't satisfy everything that God planned it to be, which is the declaration of profound love. Additionally sex makes the marriage official, this is the last phase of turning into a wedded couple. This is other wise called the marriage being consummated.The premise of this is the conviction that marriage is a holy observance. It is perpetual, selective, an indication of Gods love and it ought to be nurturing. The two most significant focuses are nurturing each marriage ought to be available to the chance of having kids and a people life is improved through being hitched. The other point is selective guarantee to be unwavering and to not take part in an extramarital entanglements. Try not to submit infidelity (seventh precept). These are the most significant on the grounds that they illustrate the perfect marriage. Marriage is the holy observance wherein absolved people pledge to have a place with one another in a changeless and elite sexual association of adoring common consideration, concern and shared obligation, in the desire for having youngsters and raising a family. (Questioning of the Catholic Church)This likewise shows that the congregation has a positive view on sex. Marriage give s security to a sexual relationship, where the couple can confide in one another and is a steady situation to bring up youngsters. This implies there ought to be no fake contraception or requirement for a premature birth. Likewise, that a relationship is advanced through sex, it is a special method of indicating love. A man ought to satisfy his obligation as a spouse, and a ladies ought to satisfy her obligation as a wife, and each ought to fulfill the others needs. (1 Corinthians 7:3)Sex before marriage (sex) and infidelity both break the restrictiveness of marriage, as one of the couple is breaking the pledges of marriage. Likewise, sex outside of marriage isn't as important as within marriage. This is on the grounds that when you engage in sexual relations outside of marriage you do it for delight and desire, yet within marriage you do it as an indication of profound, significant love. In spite of the fact that not all Christians accept this; some believe once you are in a seriou s relationship, with an arrangement to get hitched, at that point it is good to have a sexual relationship.If you have intercourse before marriage then you are breaking the pledge of unwaveringness for your future spouse/wife. Additionally, that the holy observance hasnt occurred, so Gods love isnt there and present.At a wedding, the best blessing that you can provide for you future spouse/wife is your body. This implies you spare your virginity for your significant other/spouse so you are unadulterated for them. This additionally implies you just have one sexual partner.When individuals begin to have easygoing sex or single night rendezvous, the individual may begin to feel objectified, or as a sexual article. This additionally causes numerous undesirable kids and this is where individuals begin to have abortions.Some Christians conflict with no sex before marriage; they state that in the event that a couple are locked in, at that point they are qualified for a sexual relationship, however just if the responsibility is there. This could turn out badly however; for instance if a couple experience an intense time while connected with and separate, at that point on the off chance that the couple have just had intercourse, at that point they can't wed according to God. This is on the grounds that it would be viewed as infidelity and would be exceptionally unfaithful to your future spouse/wife.If somebody submits infidelity while wedded, at that point it tends to be difficult to be fixed once more. Infidelity can be seen from numerous points of view, for instance in the holy book it says that on the off chance that you take a gander at somebody, at that point that could be viewed as infidelity. You have heard that it was stated, Do not submit infidelity. However, I disclose to you that any individual who takes a gander at a lady lasciviously has just dedicated infidelity with her in his heart. On the off chance that your correct eye makes you sin, gouge it out and discard it. It is better for you to lose one piece of your body than for your entire body to be tossed into damnation. What's more, if your correct hand makes you sin, cut it off and discard it. It is better for you to lose one piece of your body than for your entire body to go into damnation. (Matthew 5:27-30)It is additionally infidelity on the off chance that you have a sexual relationship before you get hitched and, at that point choose to get hitched last on throughout everyday life. This is viewed as infidelity since you are breaking a pledge ahead of time, that you wont have intercourse outside of marriage. Having intercourse outside of marriage is otherwise called sex. This likewise implies you cannot give you virtue/virginity to your future spouse/wife. This is on the grounds that you have just lost your virginity so once you have lost it to that one individual then you cannot lose it again for your better half/wife.Another type of infidelity is the point at which you get re-wedded in the wake of being separated. This is infidelity since you have just separated lawfully, however according to God you are as yet hitched. In the event that you re-wed and have intercourse, you have submitted infidelity against your first spouse/wife, what your identity is as yet hitched to according to God.

Nazi Leaders In World War II Essays - Adolf Hitler, Nazi Germany

Nazi Leaders in World War II Numerous individuals have added to the savage treatment of human creatures, explicitly Jews, in Nazi Germany during the subsequent World War. This is a report on the harm did by a portion of the Nazi hoodlums working under the standard of Adolf Hitler. Numerous individuals contributed in Hitler's endeavor to complete his 'Last Solution'. Among these individuals are Ernst Roehm, Joseph Goebbels, Adolf Himmler, what's more, Hermann Wilhelm Goering. While I examine how they participated in World War Two, remember their activities will, and have, left a blemish on the world until the end of time. Little is thought about Ernst Roehm's adolescence. He was a calm kid who never went trying too hard to find something and didn't communicate contempt towards anybody, generally on the grounds that his folks were Libertarians and never focused on the governmental issues in Germany's heartland. In school, Hitler's thoughts and ideas strongly affected Roehm's character. Despite the fact that Roehm never graduated, he joined the Free Corps, a gathering of troopers devoted to changing shameful acts in the German government. Sooner or later, Roehm began to become worn out on the Free Corp's non- brutal style, and he was enticed to be a greater amount of a dissident in government change. Hitler, hoping to enroll individual officials in his plan, at that point in it's outset, loved Roehm's solid nearness and character. Roehm, jobless and no place to go, joined Hitler's office. After Hitler was chosen into office a few years after the fact, he split his tyranny into various divisions. Roehm, being one of the unique officials, was picked as leader of the Sturmabteilung, or SA, regularly alluded to as the Brownshirts and tempest troopers. By 1932, the Brownshirts had arrived at in excess of 400,000 individuals. A wide range of men who Hitler saw fit enough to join were individuals. Among them were ex-Free Corps fighters like Roehm, understudies who couldn't discover employments, businesspeople who left business or weren't gainful enough, the jobless, uneducated, and normal hoodlums. As you can it's obvious, they were a differing bundle. Roehm had full control over where they showed and dissented. What was their motivation? None truly. They were simply a thought of Hitler's to spread his fame, also as the Nazi Party's. They meandered the boulevards of Munich, frequently alcoholic, singing supremacist refrains from melodies, beating anybody they thought, making a decision about just from appearance who they thought was a Jew or a Socialist. Roehm shouted to the walking storm-troopers, We will fight our approach to enormity. He appreciated viciousness for the wellbeing of it's own, furthermore, he is cited as saying to journalists after they torched a fit burger joint, in which he likewise had the left half of his nose shot off, Since I am a youthful and devilish man, war and agitation bid to me more than request. In one occurrence, Joseph Goebbels and Hermann Goering, heads of other Nazi divisions, envious of Roehm and the rest of the Brownshirt's open notoriety, despite the fact that they had more power inside, plotted against Roehm and the tempest troopers. They fashioned letters and reports to Hitler in Roehm's name, in which admissions of high treachery were composed. Numerous individuals from the storm-troopers were executed. At the point when Hitler himself came to participate in the executions, they began shouting Heil Hitler, the salute to Hitler. Hitler understood that the reports had been manufactured, and let the rest, including Roehm go free. Hitler and the tempest troopers never discovered who had thought of them. Another episode of an a lot more noteworthy greatness was 'the evening of long blades', on June 30, 1934. Hitler cut off relations with all his individual branches aside from the SS. He let most of all go, aside from individuals from the tempest troopers. They were all executed, and Roehm demanded that Hitler murder him. He felt some other individual to execute him would be viewed as unfaithful to Hitler and an undignified passing. Hitler murdered him and in all of World War Two Ernst Roehm remained the main individual to bite the dust by Hitler's shots. Another partner in crime of Hitler's, Joseph Goebbels, conceived in 1897, in Rheydt, Germany and the child of workers, presumably had the most impact on Germany's general public and open life. A youth bone sickness hindered his development, so he didn't develop more than

The Changing Verbal Portraits of Emily in A Rose for Emily Essay

The Changing Verbal Portraits of Emily in A Rose for Emilyâ â â â â â â â A Rose for Emily, by Faulkner, gives countless subtleties as well as a mind boggling structure. Long after the peruser has figured out how to recognize and talk about the capacity of critical detail, they frequently keep on battling with the impact of structure on a story. The symbolism of changing representations in A Rose for Emily permits the peruser to investigate both to discover meaning. Notwithstanding the strict representation of Emily's dad, Faulkner makes various metaphorical pictures of Emily herself by confining her in entryways or windows. The ordered association of Emily's representations outwardly engraves the progressions happening for an amazing duration. Like an impressionist artwork that changes as the watcher moves to various positions, in any case, the basic association gives pieces of information to the entire picture or to the inspirations driving her changes. Sequentially, the back-flung front entryway makes the primary scene of a young Miss Emily, perseveringly monitored by her dad. Miss Emily, a thin figure in white,1 epitomizes the defenseless virgin, floating out of sight, subordinate and aloof. The dad, a spraddled outline in the closer view, his back to her and gripping a horsewhip (CS 123), is a threatening dull picture expecting the predominant front position. His turned around recommends a negligence for her enthusiastic government assistance as he avoids potential peril - or infringement of her maidenhead- - with his horsewhip. The back-flung entryway welcomes admirers in, yet just the individuals who satisfy Grierson guidelines. Sadly, those guidelines are out of reach - The Griersons held themselves excessively high for what they truly were (CS 123)- - and Miss Emily remains... ...cefully on her memorial service coffin with a basic picture of adoration and misfortune, a strand of iron-silver hair laying on the yellowed cushion of a feeble wedding bed. This frightful picture is the fianl pen stroke murmuring the commendation of her squandered life. Notes 1 Collected Stories of William Faulkner (New York: Vintage, 1977), 123. In the future CS. 2 The southern grower designed his way of life after the English nation noble man (Daniel Boorstin, The American:â The Colonial Experience [Random House, 1958]).â In doing as such, he built up an implicit rules that mirrored the sentimentalism of the medevial age.â A primitive attitude - loaded with dignified love, a code of respect, and a sentimental mission - is apparent in a few of Faulkner's male characters, e.g., Sutpen in Abaslom, Absalom! what's more, Hightower in Light in August. 3 The Sound and the Fury (New York:â Random House, 1992), 78. The Changing Verbal Portraits of Emily in A Rose for Emily Essay The Changing Verbal Portraits of Emily in A Rose for Emilyâ â â â â â â â A Rose for Emily, by Faulkner, gives endless subtleties as well as a mind boggling structure. Long after the peruser has figured out how to distinguish and examine the capacity of huge detail, they regularly keep on battling with the impact of structure on a story. The symbolism of changing pictures in A Rose for Emily permits the peruser to investigate both to discover meaning. Notwithstanding the exacting picture of Emily's dad, Faulkner makes various allegorical representations of Emily herself by surrounding her in entryways or windows. The sequential association of Emily's pictures outwardly engraves the progressions happening for a mind-blowing duration. Like an impressionist artistic creation that changes as the watcher moves to various positions, be that as it may, the basic association gives pieces of information to the entire picture or to the inspirations driving her changes. Sequentially, the back-flung front entryway makes the main scene of a young Miss Emily, steadily watched by her dad. Miss Emily, a thin figure in white,1 exemplifies the powerless virgin, drifting out of sight, subordinate and detached. The dad, a spraddled outline in the forefront, his back to her and gripping a horsewhip (CS 123), is a threatening dull picture accepting the predominant front position. His turned around recommends a dismissal for her enthusiastic government assistance as he avoids potential threat - or infringement of her maidenhead- - with his horsewhip. The back-flung entryway welcomes admirers in, however just the individuals who fulfill Grierson guidelines. Shockingly, those principles are out of reach - The Griersons held themselves excessively high for what they truly were (CS 123)- - and Miss Emily remains... ...cefully on her burial service casket with a straightforward picture of adoration and misfortune, a strand of iron-silver hair laying on the yellowed cushion of a feeble wedding bed. This frightful picture is the fianl pen stroke murmuring the tribute of her squandered life. Notes 1 Collected Stories of William Faulkner (New York: Vintage, 1977), 123. From this point forward CS. 2 The southern grower designed his way of life after the English nation refined man (Daniel Boorstin, The American:â The Colonial Experience [Random House, 1958]).â In doing as such, he built up a set of principles that mirrored the sentimentalism of the medevial age.â A primitive mentality - loaded with cultured love, a code of respect, and a sentimental mission - is clear in a few of Faulkner's male characters, e.g., Sutpen in Abaslom, Absalom! what's more, Hightower in Light in August. 3 The Sound and the Fury (New York:â Random House, 1992), 78.

Narrators Reaction to Erskines Death in The Portrait of Mr. W.H. - Literature Essay Samples

The long, antepenultimate paragraph of â€Å"The Portrait of Mr. W.H.† neatly interrupts the dialogue that has just revealed the true nature of the death of Erskine, a friend of the narrator. The narrator is taking in the shocking news that Erskine had died naturally of consumption and not by suicide, as a letter from Erskine himself had previously led the narrator to believe. Then, in considering the odd circumstances surrounding his friend’s recent demise, the narrator asks himself why Erskine in his tragic egress â€Å"turned back to tell [him] what was not true† (100). The paragraph continues with the narrator musing on the meaning of his friend’s dying untruth, ultimately in an attempt to convince himself of its â€Å"very uselessness† (100) in converting him back to the theory of Willie Hughes. However, latent in the language he uses to dismiss and devalue Erskine’s letter lays that exact capacity for reconversion that the narrator expl icitly denies. He is almost desperately persuading himself that he has lost faith in the theory. He wants to believe that he had at that same moment in which his faith left him, experienced a fundamental change in his character and sensibility that prevents him from being affected by Erskine’s pose of martyrdom. He assures himself that Erskine’s act was futile and that he is firm in his unbelief, but in assuring himself, his very deliberate language rife with ambiguity, deception, and misrepresentation seems to suggest that Erskine’s pose is slowly instilling in the narrator a nervously revived belief.The narrator, stepping away from the doctor who just informed him of the suicidal nature of Erskine’s death, immediately asks himself a litany of questions, pondering the motive for his friend’s lie. Characteristic of Wildean narration, he paraphrases and misappropriates a literary source. He alludes to a passage of indirect speech from Les Misà ©rab les, generalizing it and attributing it to Hugo himself. By first posing the question â€Å"was Hugo right?† the narrator asserts a rhetorical mode and, given Hugo’s respected and well-known place in literary history, there is a preemptive level of external authority lent to the succeeding question: â€Å"is affectation the only thing that accompanies a man up the steps to the scaffold† (100)? By posing his citation of Hugo as a question, the narrator wants to be taken on his word that this is an accurate, unloaded representation of Hugo’s own thought. He distracts from the problem of the veracity of the attributed paraphrase and redirects attention to the veracity of the formulated question. However, on closer inspection, it seems to be a paraphrasing of convenient misremembering or, more likely, of calculated misrepresentation. In Hugo’s novel a Bishop goes up the scaffold with a condemned man. The narrator in Les Mis, who probably most nearly ap proximates Hugo, actually calls the act â€Å"sublime† and misunderstood (326). It is only some of the â€Å"people in the town who said it was all affectation† (326). Wilde’s narrator reorganizes the passage, eliminates the sublimity, attributes the misunderstanding of the townspeople to Hugo himself, and ultimately presents a misleading paraphrase to characterize Erskine’s action. As a result, he reveals his actively depreciative and misleading tendencies that set the tone for his subsequent musings. Nevertheless, he does so in the form of questions that demonstrate his palpable doubts and indecision about the thoughts crossing his mind. He compounds that uncertainty with the subliminal connotations of the true, contradictory passage from Hugo that is ineluctably entwined with the paraphrase. So, while he is ostensibly questioning the futile affectation of Erskine’s dying act, he is implicitly suggesting the incompatibly sublime aspect of the act that was Hugo’s real assertion.Wilde’s narrator continues along the same line of thought with one more question: â€Å"Did Erskine merely want to produce a dramatic effect† (100)? No, the narrator admits, confident in his ability to pigeonhole his friend, â€Å"that was not like him† (100). In fact, according to the narrator, attempting to produce such an effect was more â€Å"like something I might have done† (100). What is initially striking about this sentence is the vagueness inherent in constructing a sentence around a simile with the decidedly vague descriptor â€Å"something.† Yet, it is also notable that the narrator chooses to make this confession in the potential pluperfect tense coupled with ‘might.’ The use of this tense demonstrates the careful and deliberate break that he is making with his former self, the narrator from the beginning of the story, since he could just as easily have constructed the sentence using the present tense. His use of the verb ‘might’ draws even more attention to his phrasing and, in the process, causes his assertion to seem somewhat suspiciously labored. The ‘might’ creates even further distance by insinuating that even if he was like he used to be, there is still only the possibility of him producing something like such a dramatic effect. He could have used the conditional ‘would’ in place of ‘might’ and created less of a rift between himself, both past and present, and the hypothetical production of such a dramatic effect.The narrator â€Å"had grown wiser,† though, than he was at the beginning of the text and that’s why it is only his past, naive self that might possibly do something similar to what Erskine did. Considering his effusive praise and passionate emulation of Cyril Graham for the majority of the text, before he claims to have lost belief in the Willie Hughes theory, he is required to ad mit the possibility of his former self being desirous of creating such an effect. However, it is possibly the fear that Erskine’s dramatic pose at a self-realized departure is affecting his disbelief in the theory that leads the narrator to distance himself self-consciously.Nevertheless, the narrator claims that he does not think that mere dramatic effect was the purpose of his friend’s letter. He claims that Erskine â€Å"was simply actuated by a desire to reconvert [him] to Cyril Graham’s theory† (100). Essentially, the narrator sets up two possible motives for his friend’s letter: to create a dramatic effect or to reconvert him to the theory. He dismisses the former in favor of the latter. But, oddly, he uses synonymous adverbs in both instances. â€Å"Merely† and â€Å"simply† both provide a plain, stripped-down, almost diminutive description of the two possible motives. This is another conscious move to minimize the significance and influence of Erskine’s letter. However, in juxtaposing the two potential motives as separately uncomplicated and dismissible, either as untrue or ineffective, does that not leave room for the effectiveness of their conflation? This conflation does not enter into the narrator’s thought process and understandably so, as it would, no doubt, force him to admit the effect that Erskine’s letter was having on him, despite his protestations. For isn’t the production of a dramatic effect, in this instance, inextricable from Erskine’s actuation of a desire to reconvert the narrator? Especially given the narrator’s aesthetic sensibilities and his friend’s intimate understanding of his predilections and personality?As the pace continues to build in the narrator’s thoughts, he becomes more blatant in his use of misrepresentation as a means to cope with his unwanted reconversion. He says that Erskine â€Å"thought that if [the narrator] could be made to believe that he had given his life for [the Willie Hughes theory], [he] would be deceived by the pathetic fallacy of martyrdom† (100). He pretends that his friend thought that he would never find out that he actually died of consumption, which is utterly ridiculous given the fact that Erskine asked his mother to present the narrator with the portrait. Cyril Graham’s suicidal martyrdom was the impetus of the narrator’s original belief, but it seems as though he may have, in fact, grown wiser or more jaded. But Erskine was aware of this; he was aware that martyrdom is â€Å"merely a tragic form of skepticism† (100). Therefore, it is not on actual martyrdom that Erskine relies to reconvert the narrator, but the pose at martyrdom, the realization of his â€Å"own personality on some imaginative plane out of the reach of the trammeling accidents and limitations of real life† (33). The narrator continues to harp on martyrdom, though, as if the suicide was not a pose. He claims â€Å"no man dies for what he knows to be true† (100). Again, he makes an irrelevant, deceptive point in an attempt to protect his waning disbelief. His assertion is without traction since no one has claimed to know the truth about the theory, rather Erskine believes in it and desires to transfer that belief. In discussing martyrdom the narrator seems to forget that Erskine died naturally, so no one has died for anything. Erskine died by consumption and posed his death as a martyrdom to something he believes in, knowing full well that the fallacy of his pose would be revealed, but confident that his deliberate â€Å"mode of acting† (33) would, nonetheless, affect his friend, the narrator.The interrupting thoughts of the narrator culminate with a declaration of â€Å"the very uselessness of Erskine’s letter† (100). This uselessness is exactly what the narrator has been approaching all along; it is exactly what he ha s been using to fight his encroaching reconversion: a confusion of â€Å"an ethical with an aesthetical problem† (33). For Erskine merely wished to go out as he pleased, trumping the limitations of his fatal disease, approximating the death of his dear friend, Cyril Graham, and providing a last hurrah for a theory he had been reconverted to on his deathbed. Erskine is not a slave and true martyr to the theory, but the emptying ciborium of its legacy.Therefore, the narrator’s declaration of Erskine’s letter’s uselessness is based on the preceding sense he gives that he thinks Erskine thought he would never find out about the true nature of his death. This is decidedly untrue. In stooping to misguided and misleading utilitarian ethics to dismiss Erskine’s letter, the narrator appears to be flailing about in a last ditch effort to assure himself that he has not been infected with belief. However, it is apparent that he is merely trying to avoid admitt ing his subtle reconversion. The subsequent paragraph gets more explicit about the narrator’s reentrance into the cult of Willie Hughes. Erskine’s mother returns and hands him the portrait, that symbol of a faith based on deceit. Then, as regent to the deceased high priest, her son, baptizes the narrator as â€Å"her tears fell on [his] hand† (100). This happens without narrative comment and all of the denials of reconversion seem ridiculous when in the last paragraph, written in the present tense, the narrator looks at the portrait and admits â€Å"there really is a great deal to be said for the Willie Hughes theory of Shakespeare’s sonnets† (101). And isn’t he ultimately carrying out the legacy that was given to him, â€Å"stained with the blood of two lives† (98), by telling the story?

Can Entrepreneurship Be Taught - 1355 Words

GROUP 3 PRESENTATION Question 3 †¢ Can we teach entrepreneurship and bring some entrepreneurial awareness and changes among individuals. Give evidence Approach in answering the Question †¢ Definition of Entrepreneurship †¢ Entrepreneurship education †¢ Approaches to teach entrepreneurship †¢ Conclusion The concept of entrepreneurship There is no universal agreed definition of entrepreneurship. However, Entrepreneurship is defined differently by different scholars. Schumpeter (1934) defines Entrepreneurship as a person’s ability to be innovative in terms of goals, methods of production, markets, sources of supply and industrial organization. The concept of entrepreneurship cont†¦. Also, Craven (2008) believes that all successful†¦show more content†¦Ã¢â‚¬ ¢ The University of Illinois’s Academy for Entrepreneurial Leadership describes entrepreneurship as â€Å"a process that can lead to creative solutions to social problems or the formation of new and innovative enterprises.† †¢ As such, entrepreneurship â€Å"spans opportunity recognition and resource acquisition and leads to innovation and invention.† The key aspects of entrepreneurship Three aspects of the entrepreneurial process are identified in these definitions: †¢ Opportunity identification and recognition, †¢ Resource acquisition and †¢ Innovation. The key aspects of entrepreneurship cont.. †¢ Schumpeter’s interpretation of entrepreneurship includes all three of these aspects, while Schultz’s idea of adjustment to exogenous economic change is largely covered by opportunity recognition and resource acquisition. †¢ Knight’s, Kirzner’s, and Schultz’s concepts of entrepreneurship also suggest a fourth aspect: the management of existing resources in a new or established organization. The key aspects of entrepreneurship cont.. †¢ All these aspects of entrepreneurship involve bearing uncertainty, as suggested by Cantillon and Knight . How are these aspects of entrepreneurship taught? 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Creating A Ketone Through An Oxidation Reaction Using A...

The objective of this lab was to create a ketone through an oxidation reaction using a using a secondary alcohol and oxidizing agent in order to use that ketone in a reduction reaction with a specific reducing agent to determine the affect of that reducing agent on the diastereoselectivity of the product. In the first part of this experiment, 4-tert-butylcyclohexanol was reacted with NaOCl, an oxidizing agent, and acetic acid to form 4-tert-butylcyclohexanone. In the second part of this experiment, 4-tert-butylcyclohexanone was reacted with a reducing agent, either NaBH4 in EtOH or Al(OiPr)3 in iPrOH, to form the product 4-tert-butylcyclohexanol. 1H NMR spectroscopy was used to determine the cis:trans ratio of the OH relative to the tert-butyl group in the product formed from the reduction reaction with each reducing agent. Thin-layer chromatography was used in both the oxidation and reduction steps to ensure that each reaction ran to completion. In an oxidation reaction, the number of C-H bonds decreases or the number of C-O bonds increases, while in a reduction reaction, the number of C-H bonds increases or the number of C-O bonds decreases. In the oxidation step of this reaction, 4-tert-butylcyclohexanone is formed from when a C-H bond is lost while a C-O bond is gained to create a carbonyl. In the reduction step, 4-tert-butylcyclohexanol is formed when the carbonyl is converted into an alcohol when a nucleophilic hydride attacks the carbonyl. Whether the OH is in theShow MoreRelatedChemistry Experiment : Oxidation Of Borneol1607 Words   |  7 Pages Experiment 3: Oxidation of Borneol to Camphor By: Evan Holley Lab partner: Jeffrey Horton T.A.: Garret CHM2211L-008 07/12/2015 Introduction The overall goal in this lab was to oxidize borneol, a secondary alcohol, into camphor, which is a ketone. For the purposes of oxidation chromic acid was utilized, which was prepared by adding a 1:1 ratio of chromium trioxide to dilute sulfuric acid. The oxidation reaction occurs as a two-step reaction. The first step involves the formationRead MoreMultistep Synthesis of Benzilic Acid2109 Words   |  9 PagesMulti-Step Synthesis of Benzilic Acid from Benzoin Abstract: The main purpose of this experiment was to convert a secondary alcohol to a ketone, utilizing a mild and selective oxidizing agent. In addition, this converted alpha diketone was then subjected to rearrangement to a carboxylate salt, then acidification, to produce an alpha-hydroxyacid. In this experiment, benzoin was used and converted into benzil, which was then used to synthesize benzillic acid. The yields were not ideal: .081g of benzil-Read MoreAdipic Acid43555 Words   |  175 Pagesproductions of adipic acid in the world. 2. General Description Generally, adipic acid has a structure of  Carbon 6 straight-chain with two carboxylic acid (-COOH) groups. Due to its long aliphatic chain, it is slightly soluble in water, alcohol and acetone. Adipic acid can also be called as 1,4-butanedicarboxylic acid, 1,6-hexanedioic acid, adipinic acid, acifloctin, acinetten, octafluorohexanedioic acid as well as hexanedioic acid. It is expected to have a chemical formula of C6H10O4 and

Strategic Retail Marketing and Promotions †MyAssignmenthelp.com

Question: Discuss about the Strategic Retail Marketing and Promotions. Answer: Strategic Retail Marketing And Promotions As a consultant for a Wellington-based entrepreneur, I have decided to set up an online retail curation site on curated artisanal products. I will be preparing a tactical plan that outline the retail concept, the target market, tenant mix, and promotion strategy. Retail Concept Just like fashion styles, the vocabulary of retail is constantly changing. While some consider the term curated retail to be a new concept, the fact is, curation has existed for a long time. The terms refers to the concept that retailers deploy a strategy to minimize the number of choices a customer must make along with ensuring that the product lines they carry are unique and highly desirable to their target shopper. And, retail experts believe curated retail is here to stay. According to Craig Patterson, editor-in-chief of Retail Insider, Curated retail involves a narrower product focus, which may lead to personalization and increased brand relevancy. Patterson agrees, the idea of curated retail is not new, but, more recently feels we are seeing a higher focus on it, Because consumers demand curated and personalized offerings and competition is so great, and offerings so broad, retailers are seeing opportunity to sell better with less, he said. Several smaller retailers have used curating as amarketing strategy to differentiate their businesses alongside the big names of Kanye West and big retailers like Nordstrom who are doing curated pop-up shops. Curated retail is defined as having a deep point of vieweven if it means we cant be all things to all people, said Jen Lee Koss, a Canadian retailer and co-founder of BRIKA, an online and brick-and-mortar retailer of artisan crafts. BRIKA was co-founded by Koss and Kena Paranjape who saw a need to focus on talented artisans and designers who according to Koss, Are being lost in the noise and desire a true platform to bring their well-crafted goods to a wider audience. The duo recognized that there is a core customer who is inherently creative and craves unique special goods. Their business model began as an online site and has evolved to physical retail. The co-founders hand-select artisans and makers from all over North America for their uniqueness and commitment to quality, ethical business and building a purposeful contribution within their community. These artisans benefit from having an easy platform in which to sell their goods online. Their model requires no inventory as each of the maker ship directly from their studios. BRIKA launched at the end of 2012 with five artisans and today they have over 400 within their curated community. More recently, Koss and Paranjape have opened permanent stores and pop-up shops in the Toronto area. The BRIKA online business has benefited by having physical stores. We most certainly see a correlation between our stores and an increase in online sales in the same geography, Koss said. BRIKA has also sold merchandise through Hudson Bay and Holt Renfrew department stores. Koss wants to see this distribution platform grow. She explained that the combination of an online presence and physical stores enables them to reach a wider audience. As such, they will be opening more brick-and-mortar locations worldwide. Koss said, We envision a day where we are in every primary and secondary city, in the most special neighborhoods and weaving crafts into the local fabric. One achievement that the BRIKA team is most proud of was opening their first stand-alone location. We had always envisioned an offline presence, and when we finally found the perfect space, we executed on it quickly and cheaply. Seeing our footprint grow allows our artisans and designers to become bigger and more successful. BRIKA shares some similarities with Etsy; including some of their makers utilize both online platforms. BRIKA claims they are more highly selective than Etsy. Interestingly, both companies have ventured into having real storefront exposure. Esty is now a public company based in Brooklyn, New York. It was founded in 2005 and today has over 1.7 million active sellers and has international offices too. Target Market One of the most important aspects of a promotion strategy is to identify your target market. Who's going to buy your curated artisanal products? Are the curated artisanal products specifically designed for males or females like some grooming products? Or, are they meant for either gender like soft drinks and smartphones? What about age? Are the curated artisanal products intended for use by a specific age group? Will they be readily affordable by the average consumer, or will they be priced high to attract wealthy customers? Identifying your target market will allow you to tailor your promotion strategy specifically to deliver your message to the right people at the right time. Both males and females will be served. Tenant Mix Tenant mix is a combination of factors, including the proportion of space or number of units occupied by different retail/service types, as well as the relative placement of tenants in the centre. And a good tenant mix is a variety of stores which work together to enhance the centres performance and operate successfully as individual businesses. Further, Tenant mix refers to the combination of business establishments occupying space in a shopping centre to form an assemblage that produces optimum sales, rents, service to the community and financiability of the shopping centre venture. These descriptions of tenant mix all stress the underlying objective of maximizing shopping centre profitability, and are therefore investor-oriented. Only the third mentions the key to maximizing profitability, which is maximization of sales, through provision of the optimum service to the community. The concept of tenant mix design therefore involves provision of a range of merchandise and services, c arefully chosen to appeal to the catchment shopping population. These services may include restaurants and other food outlets, and increasingly also include leisure facilities such as cinemas. Comparison Goods: Comparison goods as being purchased at irregular intervals, for long term use, with suitability, quality, price and style being important factors in their selection. The group is epitomised by fashion and footwear, jewellery, and the more expensive household equipment and furniture.The reason for the increase in sales when comparison goods retailers cluster close together is their attraction to shoppers wanting to compare similar goods before making a purchase. The importance of comparison shopping as a motivation for visiting shopping centres, which has long been forwarded as one of the primary reasons for designing and managing tenant mix. Two compatible businesses located in close proximity will show an increase in business volume directly proportionate to the incidence of total customer interchange between them, inversely proportionate to the ratio of the business volume of the larger store to that of the smaller store and directly proportionate to the sum of the ratios of purposeful purchasing to total purchasing in each of the two stores. The concept of comparison shopping used in tenant mix management therefore has to include not only the selection of tenants, but their relative locations within the centre. Convenience Goods: Convenience goods are described as purchased regularly, so that convenience of location, selection and buying are important. The group includes food, newspapers and drinks, and is typically sold from local corner and parade shops, supermarkets and unit shops, some of which are situated in shopping centres top. Promotion Strategy Product promotion is one of the necessities for getting your brand in front of the public and attracting new customers. There are numerous ways to promote a product or service. Some companies use more than one method, while others may use different methods for different marketing purposes (Rolbina, Kalenskaya, Novenkova Ukpere, 2016). Regardless of your company's product or service, a strong set of promotional strategies can help position your company in a favorable light with not only current customers but new ones as well. Components of a Promotion Strategy When we talk about promotion, we're talking about influencing consumers. Of course, you want to inform the public about purple widgets, and you want them to understand why you have the best purple widgets on the planet, but you also want to persuade people to buy them. And, you want to build lasting relationships that will keep them coming back for more. That's the goal of a successful marketing promotion strategy. Devising the right promotion strategy is a complex process. There's so much to consider! Let's take a look at some examples of the types of activities that you'll need to work through in order to promote your product. Message To begin, you'll need to describe your company's unique selling proposition. What is it about your purple widgets that sets them apart from the competition? What message are you going to send to consumers to persuade them to buy your widgets? You have to have a clear picture of exactly what you're selling as the basis for your promotion strategy. Strategy After you've established why consumers should buy your widgets, you'll need to determine whichbasic marketing strategy will work best for your product. Will you use a push strategy, where you push the product onto the customers with high profile advertising or direct selling? Or, perhaps you'll use a pull strategy, like the luxury car maker Rolls-Royce, where you build a prestigious brand so that customers seek you out. There is no single 'right' strategy for every situation. You need to tailor your plan to your product. Budget Another important consideration in crafting your promotion strategy is your budget. In some cases, you may have the latitude to determine how much money you'll invest in promotion. In other cases, you may have to work within a budget dictated by other people in the organization (Ramanathan, Ramanathan, Subramanian, Subramanian, Parrott Parrott, 2017). Regardless of which situation you have, it's important to know at the outset how much money you'll be able to invest in promotion so that you can plan accordingly and get the most bang for your buck (Garg Steyn, 2014). Social Media Social media websites such as Facebook and Google+ offer companies a way to promote products and services in a more relaxed environment. This is direct marketing at its best. Social networks connect with a world of potential customers that can view your company from a different perspective. Rather than seeing your company as "trying to sell" something, the social network can see a company that is in touch with people on a more personal level (Lusch, Serpkenci Orvis, 2015). This can help lessen the divide between the company and the buyer, which in turn presents a more appealing and familiar image of the company (Varley, 2014). Mail Order Marketing Customers who come into your business are not to be overlooked. These customers have already decided to purchase your product. What can be helpful is getting personal information from these customers. Offer a free product or service in exchange for the information. These are customers who are already familiar with your company and represent the target audience you want to market your new products to (Zentes, Morschett Schramm-Klein, 2017). Product Giveaways Product giveaways and allowing potential customers to sample a product are methods used often by companies to introduce new food and household products. Many of these companies sponsor in-store promotions, giving away product samples to entice the buying public into trying new products (Chen, 2015). Point-of-Sale Promotion and End-Cap Marketing Point-of-sale and end-cap marketing are ways of selling product and promoting items in stores. The idea behind this promotional strategy is convenience and impulse. The end cap, which sits at the end of aisles in grocery stores, features products a store wants to promote or move quickly (Desai, Purohit Zhou, 2016). This product is positioned so it is easily accessible to the customer. Point-of-sale is a way to promote new products or products a store needs to move. These items are placed near the checkout in the store and are often purchased by consumers on impulse as they wait to be checked out. Customer Appreciation Events An in-store customer appreciation event with free refreshments and door prizes will draw customers into the store. Emphasis on the appreciation part of the event, with no purchase of anything necessary, is an effective way to draw not only current customers but also potential customers through the door. Pizza, hot dogs and soda are inexpensive food items that can be used to make the event more attractive. Setting up convenient product displays before the launch of the event will ensure the products you want to promote are highly visible when the customers arrive. After-Sale Customer Surveys Contacting customers by telephone or through the mail after a sale is a promotional strategy that puts the importance of customer satisfaction first while leaving the door open for a promotional opportunity. Skilled salespeople make survey calls to customers to gather information that can later be used for marketing by asking questions relating to the way the customers feel about the products and services purchased (Bhaduri Fogarty, 2016). This serves the dual purpose of promoting your company as one that cares what the customer thinks and one that is always striving to provide the best service and product. References Bhaduri, S. N., Fogarty, D. (2016). Strategic Retail Marketing Using DGP-Based Models. In Advanced Business Analytics (pp. 57-70). Springer Singapore. Chen, C. C. (2015). Research on Fashion Retail Tenant Mix of Shopping Center in Preparatory Period-A Case Study of U Town in Xizhi. Desai, P. S., Purohit, D., Zhou, B. (2016). The strategic role of exchange promotions. Marketing Science, 35(1), 93-112. Garg, A. K., Steyn, S. (2014). The Ideal Tenant Mix and Shopping Centre Size for the Proposed Thatchfield Convenience Centre. International Journal of Business and Management, 10(1), 243. Lusch, R. F., Serpkenci, R. R., Orvis, B. T. (2015). Determinants of retail store performance: a partial examination of selected elements of retailer conduct. In Proceedings of the 1995 World Marketing Congress (pp. 495-504). Springer, Cham. Ramanathan, U., Ramanathan, U., Subramanian, N., Subramanian, N., Parrott, G., Parrott, G. (2017). Role of social media in retail network operations and marketing to enhance customer satisfaction. International Journal of Operations Production Management, 37(1), 105-123. Rolbina, E. S., Kalenskaya, N. V., Novenkova, A. Z., Ukpere, W. I. (2016). Marketing foundation for retail and office centers tenant mix. Varley, R. (2014). Retail product management: buying and merchandising. Routledge. Zentes, J., Morschett, D., Schramm-Klein, H. (2017). Marketing Communication. In Strategic Retail Management (pp. 307-326). Springer Fachmedien Wiesbaden.